1988年是東京音樂和藝術領域非常重要的一年。英國搖滾樂手Mick Jagger與他的樂團「The Rolling Stones滾石樂團」自1972年因涉嫌販毒被禁止進入日本，16年後Mick Jagge卻破例在剛完工的東京巨蛋舉辦了個人演唱會，從此不論是日本或外國歌手皆視這裡為一個殿堂。而當年攝影師荒木經惟（Nobuyoshi Araki）與助手們一起開設名為Aat Room的工作室，展示他們的情色藝術，將世界推向另一個維度。在那之後，這兩件大事一直震撼著東京，讓這座原本烏煙瘴氣的城市有了新的空氣。
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這是日前藝術平台「OR ANY IDEA?」與泰國品牌WISHARAWISH 2020春夏系列合作的攝影集，一個關於社會自由思想的故事，同時也涉及每個人彼此間和環境的關係與意識。
WISHARAWISH是於2010年成立的泰國品牌，創立初期設計師Wisharawish Akarasantisook便奪得西班牙「Mango Fashion Awards」，隨即展開知名度。而擅長挑戰面料與工藝技術外，也將紡織品延伸至藝術、攝影及當代設計。從法國巴黎的Cite Internationale des Arts、Wallpaper Magazine的手工展，至泰國Elle Fashion Week，今年更兩度登上東京時裝週。
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本季2020春夏系列以「Post-Wore Delicacies」為主題，與泰國的12名工匠合作，使用傳統且環保的技術製成面料，舉凡以絲綢編織而成的棉布、手工繪製的菊花和蕨類植物圖樣，營造出柔軟卻又不失奢華的感覺。而延續以往著重於舒適簡單，但對細節一絲不苟的寬鬆設計，除了標準的正裝款式外，女裝的剪裁上更為俐落，大面積廓型也讓織物的光澤、色彩、圖樣更脫穎而出。WISHARAWISH將泰國文化和傳統工藝結合為當代時尚，透過時尚成為一種敘事，再以設計逐步建構了心中所想的自由世界。
資料來源：WWD JAPAN